Theodor Beyer Private Collection Zurich Rattrapante Astronomic

£24,950.00

Category:

Description

Details

Basic Info

Listing number 5YPON7
Movement Manual winding
Case material Yellow gold
Bracelet material Leather
Year 1982
Condition Good (Light signs of wear or scratches)
Scope of delivery No original box, no original papers
Gender Men’s watch/Unisex
Location Gibraltar, Gibraltar

Caliber

Movement Manual winding
Movement/Caliber Venus 179

Case

Case material Yellow gold
Case diameter 36 mm

Bracelet/strap

Bracelet material Leather
Bracelet colour Black

Functions

Moonphase, Chronograph, Date
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Description

When you think of the watch industry, your mind probably goes straight to the big manufacturers like Rolex and Patek Philippe. One is quick to forget though that the authorised dealers around the world are just as much responsible for the growth of the industry, if not more so. A watch that perfectly connects these two sides of the coin is this Beyer Zürich Rattrapante from 1982. Beyer, for the uninitiated, is the oldest continuous running watch boutique in the world. Nestled in the centre of Zürich, and now in the hands of the 8th generation of the family, they have become arguably the most respected store in the watch world.

The family originally opened their shop in 1760, making them only 5 years younger than Vacheron Constantin, the oldest watch manufacturer in the world. This has allowed them to develop excellent relations to all the major brands in the business, the fruits of which can be best seen in their own museum where they store watches that will give week knees to anyone who has only the faintest interest in timepieces.The store is situated on the Bahnhofstrasse, the nr. 1 address in Zürich and is currently lead by René Beyer. Before that it was his father Theodor Beyer who lead the shop until his death in 1986, and it was also Theodor who steered them through the pits of the quartz crisis and into modernity. It was from Theodor’s collection that the one of a kind Museum was built, and it was from his personal collection from which we get to present a watch that carries just as much horological significance as it does historical.

Made in 1982 out of 18k gold it features an astonishing variety of complications fit for a former titan of the industry. The astronomic calendar shows both the date and the moonphase. Centre stage takes the square button split second rattrapante chronograph. Split seconds chronographs have for a long time taken a special place in the hierarchy of watch complications, on level with the mystique of the minute repeater or that of the tourbillon. It allows for the timing of two events where the second chronograph hand can be stopped from the primary one or called back to it at will, and is reserved only to the finest watches available.

While Beyer has been producing their own range of timepieces this is not to be put on a level with their recent pieces that they created together with Aerowatch. This 1982 example is in a league of its own, being the product of the minds behind Beyer, as can be deduced not only from the fact that they formed part of the personal collection of Theodor Beyer, but also in the choice of complications and the classical design. Theodor Beyer has achieved everything a man can achieve in the niche that is the watch world. Driven by perfection, his attitude towards his collection is best described by his son René, who at the time of the original auction for this watch in 2003 said that “My father was just basically buying the best that was available. He never went for second best. He did not compromise on quality.”

This watch was sold with all relevant documents and a certificate of Authenticity by Antiquorium in Zürich as part of a 170 lot strong collection that fetched a grand total of 5,5 million Swiss francs to ensure the continuous operation of the Museum. Separated from the collection of the museum, Beyer left clear instructions in regard to his private collection, his son saying that “It was his last will that his private collection – which was not in the museum but in bank safes in Zurich – would be sold, so other and new collectors could follow in his footsteps.”

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